Mathias Svalina is the author of Destruction Myth (Cleveland State University Poetry Center, 2009), as well as four chapbooks and four chapbook-length collaborations. His work has appeared in such journals as Boston Review, Denver Quarterly, and jubilat. He is the co-editor of Octopus Magazine and the press Octopus Books.
- Everything is so terrifying,
- but also eyelashes
- & the tiny bones of words
- buried below highways.
- There is a yellow house in Delaware
- of tangled yarn & grass seeds,
- & the rice that fills the little girl’s pockets.
- The little girl raining irises,
- how a flat hand touches oak bark
- & then suddenly
- there is a new calendar
- where the old calendar
- used to be.
- Check your todo list,
- dip your cold fingers in silver
- to light the tunnel that leads
- to the blast furnace.
- The little girl holds her hands to your eyes
- & the box unfolds,
- then iris & iris.
- I count every paperclip
- that thorns
- from the calf’s fur
- as a lucky thing.
- I sit still so long
- I become kind of barky.
- And I think of saying that to you
- & I laugh.
- I write a little book
- & send it off to all the agents.
- I would like you to read it some time.
- It’s all about you.
- It’s a clean blue t-shirt,
- fresh from the dryer.
- That little girl is in the book.
- She trails rice wherever she goes.
- She’s symbolic.
- No authority of weeded fields or bulbous sockets & vice versa,
- though the rain delays be ruinous,
- though the looks you get from the locals could make of your body a stone.
- No clarinet reeds discarded behind the bathroom stall.
- No business cards with your name spelled out in smiley faces.
- No names for imaginary insects, no names at all.
- Only a tiny tomato plant growing in the eye socket of a sewing machine.
- When the old wounds heal you’ll be long gone for the family farm,
- hanging steel chairs from oak trees in hopes of bringing the factory down.
- Why do we have to turn the dirt so early in the groaning?
- Why does the dirt have the texture of a lost suitcase?
- Can you hear me? I’m that sound
- of rubber soles on the back of my throat.
- A little mouse head beneath the clean pillow.
- We end up in Bucharest, accidentally.
- We end up with our slacks shredded by the barbed wire fence.
- Out past the pastures the cows dwindle into canker sores,
- the long hair sweeps itself from the young boy’s eyes.
- Please call me. Please tell me you are all right.
- I’ve been so worried that I’ve started imagining things.
- I’ve imagined you were stuck inside the wolf’s stomach
- & no woodsman remembered to replace you with stones.
- When I think of a man holding a cigarette
- to his excavated trachea I think of how I once saw
- a red-headed woman in two consecutive commercials.
- In one she was a herpes sufferer riding rear on a tandem bike;
- in the second she sang gospel with a black woman & a Latino woman.
- Three rubber banded bunches of lavender
- sprung from a white vase atop the baby grand.
- The president looks grim on TV,
- He hunches slightly forward
- & looks into the center of the camera.
- He says “Pity begins at home.”
- He pauses, grimaces,
- "In bed."
- In a hoarse whisper he says
- “I want to kiss you
- so hard.”
- I hate to see the dead soldiers in the Hollywood blockbusters
- faintly stirring with breath.
˜
- Would you rather fold a paper napkin lengthwise
- or dip the burlap sack, squirming with kittens, into the green water?
- Would you rather hold your breath until your blood vessels burst
- or pet a sleek black horse’s shoulder?
- Is that word you’ve tattooed on your dog’s ear
- destroy or destiny?
- The world is growing smaller, the sound of the night
- simmering into itself is the sound of a tractor
- choking on another mountain lion carcass.
- I am like the plain brown bird
- renowned for nothing
- but its excruciating scarcity.
˜
- If he refuses to eat then the infirmary
- will tube his nose & force-feed him.
- If he refuses to pray the infirmary
- will shoot him up with tranquilizers.
- If he refuses to shatter the bathroom,
- then he must use the window.
˜
- Would you rather strum this out of tune guitar
- or puncture your thumb-pad with this shiny new nail?
- Would you rather fold this sheet of corrugated cardboard into a diamond
- or listen to the sun-warped cassette tape of the National Anthem?
- I have spent days trying not to open my eyes.
- The curtains twitch like screwshafts.
- The carpet whispers knots.
- The sunwarmed glass holds the city like a pillowcase.
˜
- Glass is time's inability to understand love.
- You can see right through it,
- right to the end.
- Glass is that which falls faster to the floor.
- In the distance I see a horse & carriage
- stop at a redlight. Glass is not the tightest knot.
- I woke like a salt-soaked slug
- in sweat-soaked sheets & could not remember
- if the dream about you & me
- strolling the crooked cobblestones of Mexico City
- was a dream or a memory.
- You sucked your blue Icy Pop,
- the sky looked like rain.
˜
- It’s lovely, how your glasses slip down your sweat-wet nose;
- how you wipe your red forehead with a dark blue handkerchief;
- how you rub the back of your knees after sitting on the steps
- of the wooden porch;
- how you sweep the broken glass into a pile
- but do not pick it up.